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Classic Album Set (8 CD box)
(Caroline) Out Now

Joe Geesin

joe geesin

bachman turner overdrive

Canadian rock band Bachman Turner Overdrive, also known as BTO, are synonymous with classic 70s rock and the hits 'Ain't Seen Nothing Yet' and 'Taking Care Of Business'.

They were formed in 1972 by Randy Bachman and Fred Turner from the ashes of country/soft rock band Brave Belt. During the 70s they released eight albums to much acclaim and radio airplay (the last two as BTO, without Randy Bachman), and the band have reformed and existed in various forms since, sometimes with other family members and without Bachman and/or Turner.

Those two aforementioned hits (two of many) are important culturally; Homer Simpson is a well documented fan, and who (at least in the UK) can forget Smashie & Nicey's association.

This set is those eight original albums, each in a card replica sleeve, with a booklet annotated by Malcolm Dome.

And from the first listen it's a damn fine album.

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Formed in Winnipeg, Manitoba, Canada, guitarist/vocalist Bachman had originally played in The Guess Who in the sixties, before leaving to form Brave Belt with Guess Who vocalist/keyboard player Chad Allan and drummer Robbie Bachman (Randy's brother).

For their second album they were joined by bassist/vocalist Fred (C.F.) Turner, on Neil Young's advice. The second album also did not sell well and the band were dropped by their label.

Taking a rockier approach, the demos for third album ('Black Belt III') were picked up by Mercury and they changed their name to Bachman Turner Overdrive. Surnames were in and Overdrive was agreed upon as it suited the music.

The 1973 eponymous debut, released May that year, proved successful, with Turner's rough vocals leading the lion's share of the songs. Alongside Randy and Fred were Tim Bachman (rhythm, guitar) and drummer Robbie Bachman. Solid anthemic driving rock music, there were no hits (yet), with 'Blue Collar' reaching the lower end of the of the charts. Opener 'Give Me Your Money' features a catchy riff and a decent guitar solo. There's a hint of heavy country to 'Hold Back The Water', giving a Southern feel, and the aforementioned 'Blue Collar' is a gentler but commercial rock track.

Some pace changes and heavier tracks make for a solid debut that would go Gold the following year.

With Norman Durkee bolstering the line-up on piano, the second album followed the same year and was a more consistent and successful set. 'Blown' was a chunky opener, while 'Welcome Home' a more acoustic and smooth build to some rough and solid segments. 'Let It Ride' showed the more commercial side and was a hit single. Highlight though is the closing track 'Taking Care Of Business', a radio and live staple with catchy riff and rhythm. Love it.

1974s 'Not Fragile' (a tongue in cheek nod to the Yes 'Fragile' album title) saw Blair Thornton come in on guitar, providing a more duel lead style. Their only #1 album in the main US charts, it featured the hits 'Roll On Down The Highway' (an uptempo and uplifting track and 'Ain't Seen Nothing Yet', which you all know (or at least should do). The new guitar interplay style remains heavy yet more commercial.

1975s 'Four Wheel Drive' followed a similar line and was recorded quickly in under a week. This was largely due to the use of the previous album's leftovers and pressures from the label for a quick follow up that would later cause tensions in the band. The track 'Hey You' is well worth spinning a few times; it definitely stands out and was a hit in the US and Canada.

Released at the end of 75, fifth album 'Head On' was solid, if a little weaker, while there is some good guitar work here. The songs are typical BTO but do drift at times. A stand out rocker (and well worth checking out) is 'Take It Like A Man', featuring some stonking piano from Little Richard.

A compilation and Japanese/Canadian only live album later, and 'Freeways' followed in 1977. While it features some good work, the Allmanesque solo from Thornton a highlight, it is widely considered a weak album as the band felt rushed and forced to put new material out quickly. Turner felt a sideman and Bachman admitted it was rushed. That said, 'My Wheels Won't Turn' is one of a couple of tracks as good as anything BTO would ever do.

Following Randy's departure the band continued with April Wine bassist Jim Clench coming in and Turner moving to guitar. As opener 'I'm In Love' shows, the sound is a little heavier and upbeat. The crisper sound helps make for a good and enjoyable album, but it's not classic BTO. Far from it.

Much the same can be said of 1979s 'Rock n' Roll Nights', a decent and polished album with some good tracks ('Rock n' Roll Hell' would be covered in altered form by Kiss in 1982). Several tracks were written or co-written by producer Jim Vallance.

A wonderful set that encompasses all the albums of the classic period, the good, bad and ugly. No extras (non-album single As and Bs, the Japan Tour live album), but if you want the straight albums this is as good as it gets, and well packaged too.

From the mid 80s onwards the band existed (toured and recorded) in various guises, including the classic 'Not Fragile' line-up, but this is the era everyone knows and expects.

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