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  SCOTT ADAMS: TERROR AUSTRALIS

INTERVIEW WITH SHAI HULUD


scott adams

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I meet ShaiHulud guitarist Matt Fox at the Melbourne instalment of 2013's Soundwave festival. After we swap mutually admiring comments on one another's top-half attire (me resplendent in an Angel Witch shirt, he rocking a particularly splendid MDC number) it's time to get down to business.

And, as the affable six stringer settles down at our sundrenched interview bench I remark that I myself can't find anything but good things to say about new album Reach Beyond the Sun, and nor, it would seem, does anyone else – what about you, Matt – you pleased with it?

"Yes, mostly. I mean, it takes me a while to be happy with anything but I'm probably more happy with this one than a lot of the records we've done in a long time. So yes. But it depends how I'm listening to it. If I'm listening to it casually – if someone else has it on – I can appreciate it. But if I decide to listen to it myself…I'll pick out all the flaws and what might be inconsequential to someone else to me sounds like a glaring mistake. So I try not to give too much attention to it, otherwise I focus on what I think are the problems."

Article continues below...

  Normans.co.uk  


The record to me sounds like the quintessential (if that's not too grandiose a word to use here) Shai Hulud album. If somebody came to me and hadn't heard you before I could play them this record and it seems like there's something of everything about you in it. Would you agree with that?

"Yes, I think that's a good way to see it. And that was the goal. We wanted this album to be very varied from the outset. So that's always cool when you have a plan or a mission and you accomplish it. That doesn't happen to us very often! We managed to incorporate a lot of different sounds that we've touched on in the past and get them all on record. So yes, if I had to give somebody the quote-unquote 'quintessential' – not to use that word again- record, it would be this one. To introduce us to somebody else, it would be this one."

How does that come about then, how does Reach Beyond the Sun become that record? What are the circumstances that allow you to reach this point? Is it Chad (Gilbert, the band's long departed vocalist, now of New Found Glory, who returned to sing on this record) coming back?

"You mean the varied nature of the record? That had nothing to do with Chad. It was the goal for a while and I think it had a lot to do with the albums in the past, which I don't think ever fully nailed what we wanted to do. You know, on the first album (1997s 'Hearts Once Nourished With Hope And Compassion') we were kids, and a lot of the stuff was worked out the night before... you know we didn't know what the hell we were doing!

"On the second album ('That Within Blood Ill-Tempered' from 2003) we'd learned a lot about music; and we put everything on it, we slaved over every note. Similarly on the third album (the 2008 effort 'Misanthropy Pure') we had a goal to be extremely harsh and pissed; Not only on the songs but in the spaces between the songs!... everything had to be (and at this point Fox starts punching his right fist into his left palm) extremely harsh and pissed sounding.

"So on all the albums we had all these goals... and the goal for each album was coming on the tail of the record before it, it was pre-determined by the record before it. All of that said, when we came to do this album we took a step back and said 'what is it we are trying to do? Our bass player, who wasn't in the studio with us when we did 'Misanthropy Pure'... the guy that produced it (Greg Thomas) and myself, when left to our own devices we'd get out our protractors and start saying 'this isn't harsh enough, it's not tricky enough' so we'd take what would normally be a normal Shai Hulud song and we turned it into what became 'Misanthropy Pure', which was a lot more technical, quite a few shades away from what we really are.

"And so this time – and I hope I'm answering your question with all of this – our bass player Matthew Fletcher said let's just be ourselves. Let's write things and not think they aren't tricky enough, don't worry that it's not smart enough, which is a problem I have with this stuff.

"Because when I write something, you know, I know what a moron I am so when I write a guitar part I think it can't be ready to go, know what I mean? So if I'm writing something I need to spend time on it because I know that there are a lot of people who care about ShaiHulud's music and I want to give them the best. So that's my take on it. When I write I don't just fart something out and say here you go everybody. I tend to want to work on it.

"And I guess if there was any one circumstance it was all of us deciding not to overwork and overwrite everything. Let's pull from all the styles of riffs we write. There were a couple of songs that were going to go on the record that ended up being left off because they were too similar. They'll end up on another record. And that's roughly – if you can understand anything I just said – how we came to decide upon the content and the approach to 'Reach Beyond The Sun'."

Do you find that a painful process?

"I find everything painful. Actually, joking aside, that's not the painful part, that's actually quite fun, sifting through the material, deciding which songs go on the record... almost every other part of recording the album was painful but that part was pretty cool."

Well, the record is out now, however painful it's gestation period was – are you happy with the response to it so far?

"I can't even believe it. I'm not expecting we'll be the biggest band ever, or that things are going to suddenly change for us but I don't think I've seen such anoverwhelmingly positive response for anything we've ever done. I don't know if I should really admit this... but I don't even know how genuine it is. I know how people are, certain bands can fart or shit something out and it gets hailed as genius..."

There's a lot of that going on at this very festival!

"There's a lot of that going on everywhere, all the time! So I'm thinking did that happen to us? Did the right few periodicals hear it ahead of time, really liked it and everyone else kind of fell in line? So, I hope it's all genuine, I hope everyone really did listen to the album and came away thinking this is great! It's always nice to have someone be nice to you and like I said I don't think anything we've ever done has received this many kind comments, flattering comments, but if they are sincere or not I'm extremely grateful!"

When you have those concerns it all boils down to how the people who pay to see you live are enjoying it doesn't it? Presumably the punters are enjoying what they are hearing?

"Oh yes. Live we're terrible though. I'm just kidding. I'm kind of kidding – you see that's the trouble with the music industry, you're not allowed to tell the truth. Everybody yells at me and says 'don't tell the truth!'

You're laughing whilst you say this of course, but it actually touches on a few things that you yourself said in a questionnaire I read that you amswered, 'My 2012'.

"I'm not sure if I remember exactly what I wrote."

Well amongst other things you commented on the insidious nature of 'our industry' and you were effusive in your praise of (Accept guitarist) Wolf Hoffmann and (Testament axe God) Alex Skolnick.

"Oh, now I remember!"

So how does this dissatisfaction with the status quo not just turn you into a jaded old hack, given your concerns? I know you don't want to go overboard about how pleased you are with the reaction to the album, but how do you react to people who've said you were rubbish in the past turning round and saying 'this is great!?

"That's a good question! You do get pretty annoyed. Jaded is a word I try and stay away from simply because it's so prevalent. I think after about the age of twenty eight, whether you're like it or not, whether you are or not, you're considered jaded. So I try not to go with that word, but for years I feel we've been overlooked, I feel like we've been set aside. And it doesn't make me jaded, but it annoys me, and It pisses me off because I know how much the band cares, how much truth, mind, heart and energy we put into every record, so why this one?

"Going back to what we said is this one better than the others? Maybe it is. I hope so because it's my favourite thus far. And there's also the aspect of Chad Gilbert coming back. Next time, will we write our best album yet and the reaction is 'aaahh... I preferred 'Reach Beyond The Sun'?

"I'm not the kind of guy who gets jaded. We've been pretty much overlooked ever since the band began and that will never quell the excitement of a new good riff. A new good riff is always a new good riff, and you still get excited the first time you play it, the first time it's committed to tape. When the purity of the music is there, you can't be jaded. Unless of course you are in music for the wrong reasons which ShaiHulud is not. I hope that answers your question."

It has. Thank you. But I've got one more, and even though I'm reasonably sure I know what part of the answer is I'm going to answer it. It's the ubiquitous festival lineup question – given the chance to programme the top five bands at next year's Soundwave, who would you pick? I'm guessing Accept might be one of them...

"Well, I don't know that I would have thought of it on the fly... I love old Accept, but I hate to say it – sorry Udo fans - but man, new Accept is just FUCKING KILLING! I can't even listen to 'Restless And Wild' anymore because 'Stalingrad' and 'Blood Of The Nations' are incredible."

Even when Mark Tornillo was in TT Quick he had a great voice.

"I'm not familiar with TT Quick."

Ah, well, they were a New York based hard rock band in the eighties. There's a track on their 'Metal Of Honor' album, 'Child Of Sin', where he sounds exactly like Udo. I don't know whether someone slipped that album to Wolf and said 'he's your man'.

"Well I don't know about that but to answer your question, since you brought it up yes! Let's say Accept, let's say Testament, let's say Propagandhi – one of my favourites – let's say MDC – are they still around?"

It doesn't matter. They'll reform for you.

"Will Freddie Mercury come back from the dead?"

Yes.

"Ok, Queen, the Dead Milkmen, Megadeth would be up there – oh, wait, you know who would be great? Candlemass!

A great way to end, I'm sure you'll agree. I did want to talk a little about Fox's beloved New Jersey pizzas, but time as ever was not the friend of this humble interviewer, and it'll have to wait for next time – but it will be talked about, I promise!


15.4.13


More Scott Adams right here.





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skarlett riot SKARLETT RIOT RELEASE 'VOICES' SINGLE
Musically the band are exploring a heavier avenue than before...

guns n roses REUNITED GUNS N' ROSES PLAY TROUBADOUR GIG
It was the first time since 1993 that Axl Rose, Slash and Duff McKagan had performed on stage together...

damon johnson DAMON JOHNSON ANNOUNCES SOLO EP 'ECHO' OUT ON 27th MAY
Big riffs sit alongside driving rhythms and the instant melodies...

metal on the hill METAL ON THE HILL - HEAVY METAL RETURNS TO GRAZ
Napalm's live department Napalm Events has now stepped in to riff all of Southern Austria out of its slumber...

dark funeral DARK FUNERAL LAUNCH NEW VIDEO AND REVEAL ALBUM DETAILS
"I've said it before, but in case you missed it, I will say it again. WE ARE BACK!!!"

zakk wylde ZAKK WYLDE DEBUTS 'SLEEPING DOGS' MUSIC VIDEO FROM 'BOOK OF SHADOWS II'
Zakk Wylde today has debuted an all new music video for the track 'Sleeping Dogs' from his forthcoming solo LP...

bullet for my valentine BULLET FOR MY VALENTINE SIGN WORLDWIDE DEAL WITH SEARCH AND DESTROY/SPINEFARM RECORDS (UMG)
BFMV are universally revered as a colossal force to be reckoned with – stadium fillers, festival headliners... a new wave of rock royalty...

noise records NOISE RECORDS ANNOUNCE FIRST RELEASES AS PART OF LABEL REISSUE CAMPAIGN
Noise's catalog has laid dormant ever since 2007... until now...

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